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strange daze indeed buy the album are a progressive rock band who have released a concept album called strange daze indeed , and ... hang on - progressive rock?, concept album?? are we in the right decade here? well, the fact that this kind of thing isn't allowed any more seems like a good reason to do it - that's what rock'n'roll is all about, after all. have a look around and make your own mind up about it's validity and artistic merit. whose id? this is the video for the single ( whose i.d.? ) - beware of the bear! strange daze indeed the album 'strange daze indeed' was released on audio-nectar records (ansilver-01) on sunday 15th june 2014 and is available to buy on this site (see the link on the left). currently we are only shipping to the united kingdom via the website, but if you live further afield, drop us a line at the address on the contacts page and we'll do our best to sort something out. (that's the postal address; e-mails will almost certainly go unread, real letters will be treated with the respect they deserve). 2017 eclipse - stop press (or press 'stop') aaron's latest project (aaron water & the daze of change) are currently writing and rehearsing some new material, mostly not quite ready for human consumption. one of the songs is called 'eclipse', which has been kicking around as a concept for about 15 years. a week before the 2017 eclipse, someone had the bright idea that we should record the song and 'do a video' to coincide with said celestial event. cue six days of frantic video shooting on mobile phones, scouring the web for creative commons footage of eclipses, editing said video and above all recording / mixing the music at the wonderful broad oak studio. the resulting effort is presented below for your amusement:- ​or if you prefer to watch on youtube, click here under destruction veteran music-guru chaz kajankar interviews aaron water about "the concept", politics, the cosmos, and the recent making of the new album part 1 ck: this is a concept album! - i've heard there are youngsters in brighton who are amazed by it - so are people really going to buy this? aw: it's not an attempt to make money - i can't think of anything more boring and predictable. concept-albums are more rock'n'roll now than ever - precisely because you're not allowed to do them any more. ck: but people have the attention-span of gnats nowadays - they've gone digital. aw: well that's a bad thing then isn't it? - that's just a cop-out by the human species - a shallow failure to apprehend the depth and complexity of the world, they've got a problem. ck: it must have cost money to make though? aw: yep - it's been complete financial madness, and there's also been the expenditure of blood, sweat and tears in the process. ck: 'strange daze...' is quite a political album isn't it? aw: well i hate to sound like some some talentless twat who's left a pile of bricks in the tate, or some genius who's cut a sheep in half, but the album actually does work on more than one level - its ultimately about the alienation of the modern state from the nature of the human being. ck: i noticed you showed an excerpt from george orwell's "1984" while you were constructing the siverwing website, was that relevant? aw: well there's a track called "2084" which didn't make it on to the album for mixing reasons, although i expect we'll release it at some point - but you can't say george didn't try to warn us. actually there's nothing you could read that's more relevant today than "1984", because all the techniques that orwell predicted are now actually being deployed - the manufactured external threat, the new-speak, the screen that watches you - britain is now quite literally within just a few years of the direct equivalent of the 'thought-police' state, and there is absolutely no sign whatsoever that the great mass of ordinary people are going to wake up in time to oppose it. it's extremely scary. the only thing orwell had wrong was that he assumed that it would come from the left, well it didn't, it's coming from the right, via authoritarian capitalism. ck: but it's a free-market man. aw: no it isn't, you can't have free-market capitalism any more than you can have perpetual motion - because it's a fundamentally flawed idea - and the flaw is bloody obvious. if you take all the brakes off a market economy, the big boys will win and the race will be over within a decade - it will cease to be a genuine dynamic entity and become a top-down managed system serving the interests of the big boys. that's precisely what has happened, and it's why the last track on the album is called 'paying for the pantomime'. in fact it's ironic that orwell also wrote "animal farm" - because we're now being farmed. ck: is there anything we can do? - apart from buy the album! aw: well there's a nice little version of the book-cover of "1984" going around which more and more people are simply photocopying and attaching to every bureaucratic form they have to fill in - its a good protest, because a lot of people understand it - it's very easy to do, and it's also causing a lot more people to read "1984" in the process. civil disobedience and ridicule is much better than violence, and not only morally, because they're just the biggest gang on the block - and if you push them far enough they just send the tanks in and innocent people get hurt - because they don't actually give a shit. ck: 'strange daze...' isn't just about politics though is it? aw: good lord no! - it's also about childhood, and visions and dreams, and about being a piece of gel on a particle of grit whirling through a void thirty thousand light-years from the centre of a galaxy in a universe we can't understand - because that's the actual reality which we're failing to address - that's really being all in it together! ck: you wrote most of the songs on the album, so which is your favourite one? aw: ouch! - very tricky question - um ... i'll have to stop giving you straight answers now - well the album version of 'down to earth' has come out very well and has made it quite a favourite, but 'dove & a raven' was always our most popular number which is why we used a live version of it on the album. on the other hand 'whose id?' is very powerful and has now become the single - a lot of people like the romance of 'satellite', and i'd also pick out 'sandman' which was an absolute bitch to mix but which has some charisma and is an interesting song. ck: 'whose id?' is also the soundtrack to the video of course. aw: well yes, it's actually a song i wrote in my head whilst i was staggering around a certain po-faced supermarket one day, and then i went home and worked it out on the guitar - and now look at it! - and steve tallendale came up wth some great lead guitar on it too, which took it up another notch in the process. ck: quite a different style to yours. aw: yes - it's nice that there's that variety on the album, my lead guitar is more basic and lyrical whilst steve's is a lot more incisive and technical. ck: what about the other musicians in the band - did you all get along during the recording? aw: well sally is well-known in the music industry as a great drummer and percussionist, and that comes through despite there having been some technical problems with the actual recording of the drums in spain - sal and i come from completely different planets but we have in common the fact that we both tend to 'wing it' and play off our nerves - so i think we're both grateful to roger the bass-player for the way that he 'earths' the whole racket and holds it together! - we actually had a great time during the recording, simon the producer made us very welcome amongst the olive groves, the skies were blue nearly every day, and each morning i'd get up before everyone else and jump in the swimming pool whilst the sun came up - it was three weeks in paradise really, quite a novel experience! ck: so what sticks in your mind from the sessions? aw: u

URL analysis for silverwing.org.uk

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broadoakstudio.co.uk

Whois Information

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Domain name:
silverwing.org.uk

Registrant:
Silverwing / Aaron Water

Registrant type:
UK Sole Trader

Registrant's address:
1 Penycoed Cottage
Abergavenny
MON
NP7 8ST
United Kingdom

Data validation:
Nominet was not able to match the registrant's name and/or address against a 3rd party source on 21-Apr-2015

Registrar:
1 & 1 Internet SE [Tag = 1AND1]
URL: https://www.1and1.co.uk

Relevant dates:
Registered on: 09-Nov-2013
Expiry date: 09-Nov-2019
Last updated: 09-Mar-2018

Registration status:
Registered until expiry date.

Name servers:
ns1065.ui-dns.biz
ns1065.ui-dns.com
ns1065.ui-dns.de
ns1065.ui-dns.org

WHOIS lookup made at 14:52:28 27-Apr-2018

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  REFERRER http://www.nominet.org.uk

  REGISTRAR Nominet UK

SERVERS

  SERVER uk.whois-servers.net

  ARGS silverwing.org.uk

  PORT 43

  TYPE domain

OWNER

  ORGANIZATION Silverwing / Aaron Water

TYPE
UK Sole Trader

ADDRESS
1 Penycoed Cottage
Abergavenny
MON
NP7 8ST
United Kingdom
Data validation:
Nominet was not able to match the registrant's name and/or address against a 3rd party source on 21-Apr-2015

DOMAIN

  SPONSOR 1 & 1 Internet SE [Tag = 1AND1]

  CREATED 2013-11-09

  CHANGED 2018-03-09

STATUS
Registered until expiry date.

NSERVER

  NS1065.UI-DNS.BIZ 217.160.81.65

  NS1065.UI-DNS.COM 217.160.82.65

  NS1065.UI-DNS.DE 217.160.80.65

  NS1065.UI-DNS.ORG 217.160.83.65

  NAME silverwing.org.uk

DISCLAIMER
This WHOIS information is provided for free by Nominet UK the central registry
for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2018.
You may not access the .uk WHOIS or use any data from it except as permitted
by the terms of use available in full at http://www.nominet.uk/whoisterms,
which includes restrictions on: (A) use of the data for advertising, or its
repackaging, recompilation, redistribution or reuse (B) obscuring, removing
or hiding any or all of this notice and (C) exceeding query rate or volume
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register. Access may be withdrawn or restricted at any time.

  REGISTERED yes

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